郑板桥的六分半书《竹石四屏题记》,来源:中国文史出版社《中国书法大观行书第8卷》。
郑燮不仅把竹子和兰草画得出神入化,而且在书法上大胆创新,他的书法风韵特异,大胆独创“六分半书”,人称板桥体。其诗书画谓之“三绝”。
清人蒋士铨在其《忠雅堂诗集》中云:“板桥作字如写兰,波磔奇古形翩翻;板桥写兰如作字,秀叶疏花见资致。下笔别自成一家,书画不愿常人夸;颓唐偃仰各有态,常人尽笑板桥怪。”
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郑板桥的六分半书《竹石四屏题记》,来源:中国文史出版社《中国书法大观行书第8卷》。
郑燮不仅把竹子和兰草画得出神入化,而且在书法上大胆创新,他的书法风韵特异,大胆独创“六分半书”,人称板桥体。其诗书画谓之“三绝”。
清人蒋士铨在其《忠雅堂诗集》中云:“板桥作字如写兰,波磔奇古形翩翻;板桥写兰如作字,秀叶疏花见资致。下笔别自成一家,书画不愿常人夸;颓唐偃仰各有态,常人尽笑板桥怪。”